'Sound practical advice for anyone attending an audition… a source of inspiration for teachers and students alike' Teaching Drama Magazine on The Good Audition Guides The result is the most comprehensive and useful contemporary monologue book now available.
#Modern comedic monologues for women how to
Playwrights featured in Contemporary Monologues for Women include Mike Bartlett, Alexi Kaye Campbell, Caryl Churchill, Helen Edmundson, debbie tucker green, Ella Hickson, Lucy Kirkwood, Rona Munro, Joanna Murray-Smith and Enda Walsh, and the plays themselves were premiered at the very best theatres across the UK including the National Theatre, the Royal Shakespeare Company, the Bush, Soho and Hampstead Theatres, Manchester Royal Exchange, the Traverse in Edinburgh, the Abbey in Dublin, and many on the stages of the Royal Court.ĭrawing on her experience as an actor, director and teacher at several leading drama schools, Trilby James prefaces each speech with a thorough introduction including the vital information you need to place the piece in context (the who, what, when, where and why) and suggestions about how to perform the scene to its maximum effect (including the character’s objectives and keywords).Ĭontemporary Monologues for Women also features an introduction on the whole process of selecting and preparing your speech, and approaching the audition itself. In this volume of the Good Audition Guides, you'll find fifty fantastic speeches for women, all written since the year 2000, by some of our most exciting dramatic voices.
#Modern comedic monologues for women series
(“Private Benjamin” was turned into a TV series in '81.) Memorize this monologue for your grittiest, drunkest moments.Helping you select and perform the audition piece that is best suited to your performing skills Note her contempt and unsmiling authority. To date, Brennan is the only person to be Oscar- and Emmy-nominated for the same role. Who knew that the backstory of a cerulean sweater could turn into one of the most damning monologues in modern comedy?Īnd finally, some winning drunkenness: Eileen Brennan gave us one of the funniest and most acidic performances of the '80s in “Private Benjamin” as Doreen Lewis. Fields, West lectures a bunch of boys on the ways of the world using historical and mathematical insight. Mae West can't resist double entendres, so brace yourself for the most sinister lesson in addition and subtraction you've ever seen. Watch as she discovers that Woody Allen's character has been using his friends' lives as fodder for his work. Judy Davis is one of the few people capable of scaring the hell out of you and making you laugh hysterically at the same time. Sigourney Weaver's part in this film is very small, but her creepy proclamations predate Tom Cruise's much-vaunted work in “Magnolia” by four years.
I know Sandra Bernhard isn't officially playing a character here per se, but she invents a vivid enough scenario that I'm willing to call it a role. Has a monologue about womanhood ever dripped with as much cynicism? Bernhard turns up a little Bacharach in this concert film and tells traditional feminine ideology to walk on by. Sandra Bernhard, “Without You I'm Nothing” It's a bit of a cheat to call this a monologue, but Joan Cusack's performance is so singular and exasperated that it commands all of your attention.ĥ. In this early scene, watch as the saucy Stanwyck eyes a handsome fellow (Henry Fonda) and narrates his every thought. Leave it to Cher Horowitz to perfectly understand violence in the media.įor a comedy of the early '40s, it is shocking how well “The Lady Eve” holds up. It is basically ridiculous that we watch movies without Madeline Kahn in them. Using some coaxing and a little bit of frustration, Trixie prevails.
Trixie Delight just wants to get in the car and have a little fun, but Addie here is holding out. So today I'm toasting the opposite of those dead-serious, dude-driven monologues: These are 10 hilarious monologues by actresses. Worse, it's usually only male characters whose rants are lionized Al Pacino in “Dog Day Afternoon” or Alec Baldwin in “Glengarry Glen Ross” spring immediately to mind when I think of celebrated speechifying.
Comedy of the 21st century is a science of awkward pauses and ratatat dialogue, and thus the great tradition of cinematic monologuing has been largely resigned to dramas.
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